5 Blues Licks: Turnarounds V-IV Chord Change
Format: PDF download with guitar tablature and standard notation.
Five blues licks that can be played over the V - IV chord change in the last four bars of a 12 bar blues progression.
Lick 1: A simple motif that moves down a perfect fifth from the V chord to the IV chord.
Lick 2: A country flavoured lick, using a descending triad shape implying a 9th chord.
Lick 3: A jazz flavoured lick, using chromatic approach notes around chord tones and sixteenth notes.
Lick 4: A saxophone inspired descending lick, using interesting ‘bluesey’ phrasing.
Lick 5: Using a m7b5 arpeggio over a dominant chord, starting from the chords major third.
Format: PDF download with guitar tablature and standard notation.
Five blues licks that can be played over the V - IV chord change in the last four bars of a 12 bar blues progression.
Lick 1: A simple motif that moves down a perfect fifth from the V chord to the IV chord.
Lick 2: A country flavoured lick, using a descending triad shape implying a 9th chord.
Lick 3: A jazz flavoured lick, using chromatic approach notes around chord tones and sixteenth notes.
Lick 4: A saxophone inspired descending lick, using interesting ‘bluesey’ phrasing.
Lick 5: Using a m7b5 arpeggio over a dominant chord, starting from the chords major third.
Format: PDF download with guitar tablature and standard notation.
Five blues licks that can be played over the V - IV chord change in the last four bars of a 12 bar blues progression.
Lick 1: A simple motif that moves down a perfect fifth from the V chord to the IV chord.
Lick 2: A country flavoured lick, using a descending triad shape implying a 9th chord.
Lick 3: A jazz flavoured lick, using chromatic approach notes around chord tones and sixteenth notes.
Lick 4: A saxophone inspired descending lick, using interesting ‘bluesey’ phrasing.
Lick 5: Using a m7b5 arpeggio over a dominant chord, starting from the chords major third.